That’s when the second part of what makes this shot so great comes into play. The horizon, enhanced by an Industrial Light and Magic glimmer, is at the center of the frame. The camera then stays put as Sammy walks away, between two soundstages. The camera starts on his hands gripping a metal guardrail, then go up to his flush face, then the camera moves back as Sammy looks up to the window of the office where he just had his chance encounter with one of cinema’s greatest filmmakers. In this case we see young Sammy Fabelman (Gabriel LaBelle) as he rushes out of an impromptu meeting with director John Ford (played, incredibly, by David Lynch). For one, it’s a great example of the famous “Spielberg oner,” a single take that conveys several different ideas and includes several different set-ups within the camera move.
There are many reasons that the final shot of “The Fablemans” is also the final shot of the year. The 15 Best Romance Movies of 2022 “The Fabelmans” “The Fabelmans” (Universal Pictures)
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